Purchase my Canon LOG Cine VLOG LUT Preset Packs

CINEMA LUTS 2.0 - CLOG TRANSFORM LUTS + Grading Preset Bundle

Regular price $16.97

My ALL NEW Cinema Transform LUT BUNDLE with my Colour Grading Preset Pack for Resolve or Premiere (choose your variant prior to adding to cart).


My CINEMA LUT 2.0 CLOG Transform LUTS - including 5 x .cube 33Cube broadcast ready Look Up Table files - can be purchased stand alone via the main shop page for use in any NLE but here you're opting to purchase the Adobe Premiere Pro CC Lumetri Grade preset bundle or the Davinci Resolve Power Grade Node Graph preset bundle.

This includes the following variants to choose from;

1. Davinci Resolve CLOG CINE LUT 2.0 Transform LUT Pack (includes 4 x .cube LUTs & Resolve .drx Power Grade Node Graph preset file)
2. Adobe Premiere Pro CC CLOG CINE LUT 2.0 Transform LUT Pack (includes 4 .cube LUTs & Premiere .prfpset Lumetri Preset files)

About my new LUTS.

This is my new Canon LOG Transform LUT bundle including 5 specific LUTS to give you a solid BASE for your canon LOG footage in a single click. That's right, I've developed these as the perfect starting point or *base grade for the Canon LOG footage such as that coming from the EOS R, 5D Mark IV, R5, R6, 1DXMIII and the Canon CINE line cameras that shoot in the Clog 1 profile. This was a game changer for me once I created and began using these Transform LUTS so I wanted to provide them to you and hopefully they might assist you as well.

This Includes the following Canon LOG Transform LUTS;
1. Canon LOG to REC709 - BASE
2. Canon LOG to REC709 - CINEMA
3. Canon LOG to REC709 - CRUSH
4. Canon LOG to REC709 - BLOOM
5. Canon LOG to REC709 - LIGHT

*Note: Working with these LUTs requires that you have shot and exposed correctly for cLOG (Canon LOG) on Your specific camera.

My recommended shot settings for these LUTS are;
  1. Canon Log - Neutral Colour Matrix
  2. Characteristics at 0 sharpening, 0 saturation ,0 hue. 
  3. Shoot in an ALL-I codec.
  4. 400 ISO
  5. Expose for skin between 30% and 40% IRE

Important to get white balance as close as possible to correct in camera.

Some screenshots of what the presets packs include are below - the hard work is done for you and all you need to do is import the preset files and you're ready to handle LOG footage like never before.