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Colour Grading Canon LOG 3 in Davinci Resolve | Step by Step


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Honestly, once you get the hang of shooting and editing in LOG you will learn to love the flexibility that Canon LOG provides in a solid post production workflow. Whether you are already using or wanting to use Canon LOG for your vlogs or perhaps for commercial work, the EOS R5 and R6's LOG implementation is so close to it's CINE line siblings (C100 and C200 and C500) that you will be blown away with the results you get from it when setup correctly and using the right camera settings whilst shooting.

In this video I take you through my process of how I colour Grade Canon LOG 3 footage from the Canon R5, R6, 1Dx Mark III and Canon's Cine Line Cameras. I really like how Log 3 looks and how easy it is to grade. I feel like it is a little bit more forgiving than Canon LOG and it seems to work very well with the Canon R5 and newer Canon sensors. Join me in this step by step video taking you through a very simple way to grade Canon Log 3 footage.

Shot on the Canon EOS R5 in 4K fine with the 24mm F1.4 L Lens and the EOS R in 4K (for over shoulder and overlay shot elements)
- Canon EOS R5 Body on Amazon - https://geni.us/Kh3lRKg
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ABOUT:
Feeling too comfortable in design engineering after a solid 10 year career - I took a massive leap of faith and started my own video production company, Pendula. Become part of the journey so far, the highs, the lows, the triumphs and challenges AND subscribe for great content to help you up your game in all things video production and creative.

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